Puerh Storage Update Jun 2021

Puerh Storage Update is part of an on-going saga involving our villain, the Puerh Junky, and his paltry puerh storage attempts.  Since Feb ’21 he has been engaged in a recovery project: convalescing top-shelf puerh cakes sedulously stored in puerh perfect cardboard boxes, which ended up fiendishly robbing the cakes of flavour and possibly qi, while imparting a cardboard taste.  As our camera zooms in we see the Puerh Junky rifling through his stack of convalescents.

“The 6442 isn’t going to be in here.  It’s not convalescing.  Still, now is a perfect time to balance the ’09 Bluemark, DQZ’s fruitiness, summer sublimeness.” He reaches through and grabs a generic bazhong wrapper, gives it a whiff, is satisfied, and examines what it is.  “Ah-haa!  The 8582 with the sexy aqua blue neifei.”

Aqua Neifei

Later during confession. . .

“I bought this in ’18 under no pretenses that it was real.  It was a ping to the vendor, as well as an opportunity to snatch up a bazhong wrapper with a unique neifei.  It was not up to standard till being stored for one year.  Whereupon it imparted a Zen cum root beer taste with a creepingly wicked qi.  Quickly, I checked to see if any more of that offering was available but it was long gone.

In a puerhitious attempt to baby or otherwise elevate its status, the 8582 was removed from one storage unit, placed in a puerh cardboard box, and stored among the top-shelfers of the Stash.  All the Stash top-shelfers can never become Collection offerings because they’re mostly simply not available.  These can sometimes be sent out as little treats for general edification and to show off some of what I consider top-shelf.

So, from Jun ’19 to Feb ’21 the 8582 lay in that cursed cardboard in my least favourite storage container– the fridge.  Day-after-day, month-after-month, that poor treasure received nothing short of the worst possible treatment.  The worst!  The fridge is essentially suspended animation.  Transformation is slow.  The perfect parameters have not been worked out.  Where things are placed and whether it is in plastic matters.  There are many variables that also depend on where the individual production is and what direction it needs to take.

In the case of the 8582, I was not looking for transformation, just storage.   The fridge is close to ideal for suspension, though it does has some undesired storage effects.   Still, it doesn’t even approach what cardboard does.  Let me say this as emphatically as I possibly can. . . cardboard isn’t ideal.”

By this time the priest is considering calling in for reinforcements.  The Puerh Junky goes on. . .

“Cardboard in the fridge is just a nightmare.  The fridge already does something to make the tea “stuffy” in the first place, and the cardboard worsens matters by bleeding its essence into the tea, while sucking from it as well.

These boxes are Dracula to puerh.!” he expostulates, while the priest reaches for his ultra-tetra-inter-hyper caring science gizmo.  Seemingly oblivious the Puerh Junky goes on. . .

“In ideal conditions perhaps it’s less of an issue.  I nevertheless removed all my tuo from their fancy boxes, despite fantastic storage containerdom.  Most have been stored box free anyway.  The thin box of the Dali Tuo worries me little.  The thin brown paper bags of the same material as cardboard worry me even less.   So, my sleeves of tuo remain in sleeves, much as the rain in Spain, if you catch my drift.

Positively none of the ripes have ever warranted cardboard boxing, but I removed my treasured ripe Monkey from its gift box.  Some Poison is stored in a big gift box and there are a few boxes in which productions arrive that I’ve been storing productions, but not in the fridge.  Some of those have been covered in plastic, as I’ve noticed that can make a big difference.”

Ripe Monkey in Gift Box

Later at the sanitarium in a lecture before no one. . .

“In any event, the subject here is rehab.  Rehab in this case consists of bagging the the treasure in packages that are waxy or plastic lined with the outter covering being white cotton or brown paper bag material, a close relative of cardboard.  I recently placed an order for a bunch of them, which I want to make available.  I think I got the ones that are white cotton.  That’s what the 8582 was placed in, in its original wrapper, unsealed, into the convalescent and archive tomb. ”

At the World Body of Puerh Nihilists, sanctioned and licensed by the world body of sanctioning, we find the Puerh Junky at the sanitarium standing before his gizmo wristwatch, synched with his thoughts through a super-convenient injectable nanobot luciferase care gel in a Zoom lecture.  He’s about to conclude.  . .

Findings

Tomato Shape

Aroma dry and in the heated vessel inviting.  Deep notes of root beer.  Evocations of Imperial Roots and the Tulin tuo that I’ve been tracking for a more affordable price and lost in the water in April.

250g Tulin raw

Overall, its association with Imperial Roots is impossible to avoid.  Hasty conclusions might lead one in the direction of Poison, but the latter is more camphorous whereas the former is peatier.  It’s a bona fide root beer, with more ginseng and less cardamom.

Storage, that’s the focus, determining the results of a four-month rehab for the 8582.  The matter here is not the 8582 itself, but how the findings contrast from before rehab entry. The findings are unequivocally positive, not ebullient but nonetheless unequivocal.

The 8582 is not as stultified as it was before entry.  Beyond that it is now a pleasure to drink.  All the attributes that made this treasure top-shelf are present.  At the same time, it has changed but so have I.  One of my own changes is in finding a more appropriate use for the tomato-shaped pot, which I’d previously believed to be best with tippy teas.  Now I’m thinking the opposite.  Obviously, the 8582 cannot have been changed by its cardboard ordeal.

I’ll keep it in rehab till October when it goes back to the fridge without cardboard (obviously) and in package, probably sealed.

Puersuits or Puerversions?

Puersuits or Puerversions takes the reader into the dark recesses of the Puerh Junky’s cave.  As the drone zooms in he’s seen muttering something about “porcelain” and “volume”.  He’s also distracted knowing that the reader is questioning the absence of the “h” in “puersuits”, given that the Puerh Junky is so fancy as to spell “puerh” with an “h” in the first place.  Trying to not get caught in the morass of how Chinese gets romanized, he glibly makes something up.  “Everyone knows you drop the “h” before an “s”.  That’s the problem.  No one obeys the rules anymore,” condescending to no one in particular.

His distemper was becoming more obvious.    Taking a chunk from a small porcelain “tea jar” he warms up his workhorse zisha.  It’s the ’07 HK Returns cake.   It’s delivering its best performance ever, a tribute to Zhongcha Zen style and complexity.  Never before had the HKRC “turned over”.  Sweetness and volume where all the layers previously formed a cacophony, now they had the space to harmonize.  The fuzzy note that sounds in many ZC productions from this year is much more ephemeral in the taste but totally present in the aroma, like fabric softener or sun-dried bed sheets.

“The small porcelain tea jar seems to been unspeakably beneficial for the HKRC, better than previously zisha stored experiments for longer durations,” he thinks to himself.  Then his mood turns to all the tea he hasn’t drunk.  “Perhaps this puersuit has turned into a bit of a puerversion,” he thinks solemnly, when the thought of the recently acquired HK Returns brick comes to mind.

HKR Square

For whatever reason, each shape tastes different, though there seem to be clues suggesting they’re the same.

The brick is the first wrapper where I’ve seen any indication of the actual recipe, “6581”.  It’s still firmly situated in the tobacco class, signs of petrol forming as well.  Evocative of Grenouille and Buddha Impressions before getting quite a bit more forceful in around infusion five.  Still quite young in some regards.  It’ll be an interesting puersuit getting to know more about it compared to the others.  Perhaps a sampler wouldn’t be too much of a puerversion.

 

Puerh Report: Tin Water Blues

Puerh Report: Tin Water Blues is part of an on-going look at the development of various tinned puerhs.  Here “tinned” is broadly construed to include raw puerhs stored in clay and porcelain as well.  Tin Water Blues is the Water Blue Mark stored about six weeks in a big fancy porcelain vessel with a tight-fitting porcelain lid having a foil underside.

I tested the Water Blue Mark as many as three times in that period, with a stint where the lid was left ajar.  It didn’t gain anything from porcelain.  A case for the blues if I’ve ever heard one.  It seemed to get airier when what it needs is to continue to cook through some of the smoke while letting the more complex spices and fruits develop.

I moved it to a kraft bag seal pouch, which I use for posting larger samples.  I’ve had some success with these storing a few items.  I consider their storage different from clay and perhaps porcelain in that it is sealing in flavor as opposed to seasoning it with a great deal more air exchange through clay.  Porcelain may not do this and might be best for stuff you want to keep as fresh as possible.  Porcelain aside, this vessel is so impossibly large that it might be best for sancha.

One must consider the change in season and variances in brewing vessels and brewing amounts.  The Puerh Junky using a scale much less lately with raws.  A scale still finds use with ripes more interested in testing performance relative others in the collection.  With raws I’m paying more attention to compression and eye-balling.

The most recent eye-balled session with the WBM stored in the kraft bag for around 10 days is a success.  Altogether eight infusions were had on day one.  At the eighth, which got a minute, an interesting thing happened. . . it got sweeter, while the smoke toned down.  Rocks and sugar.  Infusions the following morning were both sweet and savory.  The production has taken on a more serious tone, savory along with petrol, in the vein of the 6FTM Tuo and other considerably pricier items.  By the 12th infusion it got boring, but the shift at eight bodes well for what WBM is becoming.

I guess not all blues has a sad ending.  I’m at a stage now where I’m much more willing to make quick calls in my six-ring circus of storage.  It’s largely a matter of fine tuning given the variations I have at my disposal and what the tea prefers.  Volume and density is a major axis along which storage hinges.  Right now WBM is in a density phase.  We want more depth and richness to cook the fruit and spices not air them.

Puerh Junky Visits Thick Zen

Puerh Junky Visits Thick Zen is one of a catalog of encounters mental and digital with the steal of ’07 and possibly the aughts overall.  We’re talking about Kunming TF’s Thick Zen, a clean and lively Yiwu sensation without the Yiwu price.

Thick Zen called its name for an introduction to someone who has drunk puerh a limited amount and is not altogether clear on the differences between raw and ripe.  With a whiff among the two options, she chose the raw.  Overall, it has good sweetness, thickness, and complexity.  A faint fruity note has fully blossomed.  It lies along the backdrop of root beer with a few bitter notes early.

It got pushed at the sixth infusion holding up very well, a nice brown thickness and sweetness and no bitter.  The next five infusions continued to surprise in that it had more to give.  It is considerably more durable than even a year ago.

This brings up Poison, which is at 18 with as many as five more infusions to go.  It’s still quite round, sweet, and smoky, some surprising minerality that often comes with smokier productions.  The minerality seems to replace the root beer.  Similarly, the fruity note of Thick Zen seems to be creeping in on the root beer but it is hard to say at this point since the fruit seems to be developing independent from the root beer.  Is Thick Zen at its root beer peak?

Boiling Ripe Puerh

So, for the past two weeks your trusty Puerh Junky has taken to Boiling Ripe Puerh.  This has become a bit of a morning ritual from the leftovers drunk the previous day.  Most often these have been samples or recently acquired offerings.  There was at least one item from the archives as well.

It started with one such recent Dec ’20 acquisition.  It’s an Yiwu purported to be from ’03 and pressed in ’18.  There’s certainly no wodui to it and seems to be old enough but perhaps because it’s in a plastic-wrapped cardboard gift box it’s been robbed of a bit of umph.  Right now it is very light, and am not sure that it meets any brewing standard, so I decided to give it a boil while I wait for it to come around if ever.  That’s how the Boiling Ripe Puerh routine started.

Over the course of these two weeks, perhaps six or seven productions have been boiled.  The taste of boiled ripes is not the same as brewed.  Without exception, the boiled potions possess a certain cereal quality, some like Wheaties and others like Malt O Meal.

Interestingly, the overly light-brewed ripes take to brewing quite nicely.  In other words, they’re better boiled than brewed.  More richness comes through while never becoming overpowering.  Speaking of overpowering, my wife rarely says a production is too much, but such was the case with a ’04 Dayi tuo, which is very similar to old tea nuggets.  That was a remarkable treasure, with tastes of incense and brine.    Diluted it was dandy and water could be added two more times.

Zhongcha from the Archives

Another unique and especially pleasant experience came from the archives with a “Zhongcha” I picked up back in late ’13 or thereabouts.  This is labeled as a High Mt Wild, the very last of which was sold in Jan.  It has a weird cheesy rubber band taste to it, which I was hoping to no avail would dissipate to an undetectable level.  In any event the Puerh Junky’s wife simply loved it, first brewed and then even more boiled.  She went on and on about how smooth and tasty it was.  I chunked down on a cheesy ripe a couple months ago from Liming, which should become avail in Oct or Nov.

Time to rap up, but not without mentioning the pot.  I’m not much for the teaware fetish when that money could go toward perfectly good puerh.  The thing about the teapot pictured above is that you can place it directly upon a flame, so it’s super convenient.  No doubt these can be found on your regular shopping sites and at a reasonable price.  They’re super handy and well worth having for purposes such as boiling tea.

Boiling Ripe Puerh offers a nice change of pace to the standard gong-fu brewing method.  The cereal notes come through much more strongly with boiling than brewing.  It goes without mention that this allows you to get the very most from your ripe treasures.  Boiling seems to be especially appropriate for light ripes that don’t perform well when infused in the typical fashion.

 

Puerh Tinned Three Years

Puerh Tinned Three Years is about putting to test tin storage in controlled conditions.  The verdict so far is an emphatic “INNOCENT.”  The general advice is to not break up one’s cake/brick/tuo till say a week or two before drinking.  Only then, a drinking portion should be broken endeavoring to keep the cake in form as much as possible.

The Puerh Tinned Three Years in this case is ’12 Fu, ZC.  Upon last tasting from a cake sample stored in the container, I figured that it had gone into hibernation.  This third week of February 2021, the Puerh Junky was gobsmacked by the tin version of Fu.  It was bright and lively.  Furthermore, over the three days in which it was drunk it maintained an intensity and brightness that impressed me as being tea from the very highest quality of leaves coming from Bingdao.  It’s dreadfully good.  It’s as bright as I first got it but the brightness and sweetness continue beyond the superficial infusions.

To test the rectitude of the conclusions regarding tinning, proper junky etiquette (PJE) requires revisiting the cake version.  At least one posting from blog recently has reported problems with cardboard storage.  Results with the tin are the exact opposite.  The direction of cardboard is outward and draining, whereas the tin is inward and boosting.  The metal imparts nothing on the tea’s taste, while doing a stupendous job of cooking the leaves.  Instead of like the container which can be like a roast the tin is slow steam.  The difference is huge.

At least with the tin in the refrigerator, we’re getting neither dryness nor inordinate oxidation.   The leaves are cooking, moreover fairly evenly compared to a cake.  Of course, compression of Fu is quite moderate, so it broke up fairly evenly.

Puerh Update: Jade Mark

This Puerh Update is on the ’14 Jade Mark, Zhongcha.  This factory constantly merits reminding the reader that all Zhongcha after ’06 refers exclusively to the Kunming Tea Factory.  As a whole KMTF is more highly regarded for their bricks and ripe productions.  They do and have been making raw cakes but have been overshadowed by Xiaguan and Dayi.

KMTF has continued with producing “mark” category productions, though their recipes aren’t the same as back in the day, and experts will tell you that all the classic recipes are marked by periodicity, that is they change from time to time.  KMTF also added “marks” that never existed, such as the Jade Mark.

The Jade Mark has distinguished itself from most ZC productions in that it presented itself as a vivacious sweet and citrusy raw that was immediately drinkable.  Obviously, this raised the issue of whether they had succumbed to the bad practice of oolong processing, a sleight of hand that provides a certain immediate gratification to the drinker but possesses zero storage potential.

Jade Mark is aging properly.  It is lasting now for more infusions, meaning the sweetness lasts longer.  There is a sturdiness of character that comes with some bitterness; it strikes of good quality Bulang.  At the same time and especially in later infusions, the huigan is simultaneous with the liquor, along with an aftertaste of tangerine peel.  None of this is evident with oolong processed productions.

I’ve always liked the Jade Mark.  I like to see how it was never overly sweet but that as it ages the sweetness is deepening.  It speaks to the quality of the underlying organic material.  I’ll post some shot later.  At only six years old it still qualifies as a very young and green raw puerh.

 

Puerh Eternal: Green Mark

Puerh Eternal: Green Mark– The Quest Continues

This week had the Puerh Junky embarking on a recovery mission.  If you haven’t been brought up to speed about Puerh Storage Horrors, you need to.  One of the cakes that I’m endeavoring to revive is an ’02 Green Mark (A), GPE.  It was one of the most expensive and deadly productions that I’d ever had when first sampled in April of 2020.  By August of the same year it had tamed considerably, but I hadn’t put two-and-two together to identify the cardboard box as the culprit for than a less favourable turn.

This February 2021 marks the one-year mark of having that cake.  Since it was so damn expensive, I put it in cardboard thinking that I was giving it the best of love, only to be slowly suffocating it.  What a contrast to ze Marquis du Green Mark, whom I stuffed in the Zhongcha box where he has not missed a beat.

Since the ’02 Green Mark (A), GPE had only been stored for a year in the box, it was not as drained of blood as some of the other top-shelf victims.  The others, even after day two of drinking, were quite boring and it may be the case that it’ll take a full year for them to revive, for my poor ’03 7542, DQZ even longer.  On the other hand, the GPE may only need only as few as three months.

I couldn’t bring myself to throw out this tea.  I gave it several long infusions the next day and then let it soak overnight, a doing that has prompted this post.  Tremendous.  A sweetness, depth, and incense that does not remotely disappoint.

One of the most confusing aspects of puerh is how one production or recipe can have so many different makers and how the same maker can go through so many different versions of presenting the same production.  In the case of GPE the answer in part has to do with the era in which it emerged.  This was the decade of transition, basically ’97-’06.  Factories would  generally follow the prevailing marketing trend and often paid some type of fee to use the Zhongcha label.  Sometimes there were outright collaborations.  It’s hard to say, but the neifei gives NO indication that it is a GPE production.  This is where you just have to defer to the vendor, who’s not steered me wrong yet.

 

Square Deal: Puerh Tea

Square Deal: Puerh Tea visit a particular ’07 Square, by GPE.  If you get a chance to try or buy it you should.  GPE came on the scene in the late ’90s.  In the first year, their ripe puerh square (fangcha) won a best in show award.  That ’99? production is highly valued.  As late as 2018 productions could still be found fairly easily but after then not so much.

That tight embossed kinda brick

The GPE square was probably the second most popular ripe square on the market next to Zhongcha’s.  ZC’s square is hand’s down the most popular square with a number of fakes out there.  Here’s a closeup of the iconic tea character associated with ZC displayed on GPE’s square:

The GPE icon is  the “cha” character surrounded by 12 (haven’t counted) “gu” characters.  “Gu” means old or ancient.  The most popular gu in puerh circles is “gu-shu” (old-tree).

The GPE Square didn’t have camphor, humidity, fruit or anything to make it stick out beyond a richness reflecting the generally sturdy material from which they derive their products.

You can see the liquor has some clarity but it also looks darker than most Puerh Junky offerings.  Anyway, there’s no need to carry on about this square since it’s no where to be found.  In fact, no occurrence of any other GPE ripes even come to mind.

 

Lonely Days: Fuhai’s 7536

Lonely Days takes up the baffling disregard for Fuhai’s 7536 recipe.  On the one hand, that’s a relatively good thing because the price hasn’t exploded for still relatively aged material from a well-recognized brand.  On the other hand, it seems a same that it doesn’t get the love it deserves.

I’ve only tasted the ’07 version of the 7536 but have purchased or sampled a few of their other offerings.  The 7536 is their benchmark raw recipe, as they’re known for raws and ripes.  I read somewhere that it was supposed to be Fuhai’s take on the 7542 (maybe the writer meant the 7532), but their 7536 is decidedly less floral, which might account for its tepid reception among Western drinkers in particular.  This Fuhai has considerably less petrol than the standard, with more sweet roots and aromatic pods.  Cardamom and bay laurel  also come to mind.

I took it out on Sunday (31 Jan ’21) and had a very enjoyable session with it for two days.  I left it out and now is much bolder aromatically, with a waft of smoke as it’s taken from the plastic.  The cake smells like smoke-cured wood, deep.  From the dry heated clay comes a burst of fruitiness, the bay laurel.

Even the rinse is ready and tastes sweet.  The aroma from the leaves is rich, sugary, spiked with light spices.  There is NO hint of any floral.  A lot of sugar cane, brown sugar with top notes of sandalwood that just fade away into the sugar.  The smoke is evident in the broth, but it is a nice complement.  The aroma in the cup is also of incense.

The second and third infusions are visibly frothy, which carries over into mouthfeel.  The wood starts to make a considerable presence along with the smoke and you start to ask yourself whether you hang with the hounds or piss with the pups.  The sweetness is very addictive; it coats the mouth, lips, and throat, such that all questions of philosophy are lost.  The astringency has never been an issue with this production and now is quite lubricious on the lips and teeth.

No matter how many years drunk, this production still evokes a sense of Christmas.  It’s very warming and cheery, like Christmas.  It exudes the smell of a fire and Christmas spices, hence its name Mincemeat, visions of Tiny Tim and Tchaikovsky all in one.  It forms an interesting contrast to the Water Blue Mark, which is also sweet and woody, but with strong plum notes, whereas 7536 is more incense and spice.  Neither are remotely floral.