’07 Bada(zz), CNNP

The ’07 Bada(zz) arrived in April ’18.  It’s already changed quite a bit from a mainly minerally taste to minerals and old daisies.  The taste is quite similar to ’05 Glee, with similar astringency though possibly sweeter.  The after taste of rocky sweetness hangs on in the mouth for quite a spell.

In contrast to the ’12 Cherry Blossom, there are no smoky notes to the Bada(zz).  I recently visited the Cherry Blossom and I notice quite a bit of green apple in there too.  There’s no hint of any fruit in the Bada(zz).  Maybe the aroma is a bit fruity but it strikes more like honey.

Another similarity with ’05 Glee is the taste of grains, evocative of Wheaties.  This is only evident in productions that have a few years under their belt.  It seems like there may be some camphor notes trying to sneak through, something to watch for as it continues to age.

A final curiosity is that this cake bucks the trend of the time toward extreme pressing, unlike the ’07 LME Spring Puerh, which must have set a record for compression density.  Even though the Bada(zz) is pressed densely, it’s not excessive and the material flecks of with relative ease.

Oh yeah, this is Mt. Bada material.  Possibly only the second I’ve tried by name.

Sandalwood and Soap: ’06 Tippy Tuo

There’s a much greater taste of something like sandalwood starting to express in this treasure.  The camphor and woodsy quality seems to have vanished.  Several years ago, there was an orange-juice quality, replete with sourness that has sense vanished.

Spring tea.  A strong and lasting aftertaste.  That’s where the sandalwood is most evident.  Flowers, that aroma and aftertaste of many spring productions is straight sandalwood.  There’s also some humidity and minerality.  That comes on the front end.  The humidity used to be more pronounced, not in a dank fashion, but that which gave the long gone woodsy vibe.

Ahhh.  Sometimes it seems that the puerh pursuit is one of nostalgia.  There’s still quite a bit of attack on the tongue.  I noticed that this one consistently leaves a qi-effect.  Not all qi-effects are heady, however.  This one has “gut qi.”  I’m not saying it is a gut buster, because it doesn’t land exactly in that fashion.  A gut buster elicits the urge to eat, just like one that has gut qi.  The difference is that gut qi doesn’t give you cramps.

Nothing about this production feels green anymore.  As you dig deeper in later infusions, bitterness definitely starts to assert itself.  A zinging astringency attacks the tongue throughout.  There’s something in there that evokes a sense of soap powder.  Certainly the woodsiest of spring productions I’ve had.  Quite similar to this in terms of the sandalwood.  The ’07 Tippy Tuo is an entirely different production, which tastes much more like Lin Cang, Fengqing, of the Yunnan black tea vibe.  This has the true minerality of Wuliang material.

Woolen Sweater Puerh

The ’05 Green Mark has a bit of a petrol and deep forest vibe and is one of the few humid-stored raws in the collection.  Did I say raw?  It isn’t.  It is a raw-ripe blended puerh, so the color is much darker than most raws you’ll encounter this age.

I find myself coming to’05 Green Mark quite often.  The humidity is welcoming.  The after taste is of flowers and petrol, with saccharine and astringent notes.  The flowers aren’t evident in the broth, rather you get smoke, leather, and petrol.  I’m pretty sure that this is what the crew on Ahab’s ship drank when sailing in the North Sea.

The aroma is addictive: camphor, smoke and intermingle giving a woolen-sweater effect.  The camphor dances about with the with the saccharine.  It’s not honey or maple or agave, as right on the edge of sweetness is bitterness.

All of the richness of taste is balanced by a broth that could possibly thicker.  There are some slight vegetal notes that you might be able to pick out and the qi won’t bowl you over.  Still it possesses a notable phlegm cutting quality.

This offering is under CNNP, but it does not come from one of the big three.  This wrapper has wide use in the puerh universe.

Five Best Ripe Puerhs of Puerh Junky Collection

It seems that the universe of ripe puerh is filled with many very ho-hum productions.  Much of the variation arises from age and storage conditions, but raw material and fermentation style obviously matter as well.

Some factories, like Langhe, specialize in a fermentation style that is intended to allow the production to age naturally afterward.  I recently learned that CNNP/Zhong-cha’s famous 7581 recipe is comprised of some percentage of raw material.

These creative variables in material will determine just how long production may have to sit before it is good for drinking, which might explain why in China the preference is for older raw puerhs.

Roll the drums please. . .

 #5   ’06 T8371, CNNP 250g brick

Gorgeous Ripe Zhongcha Brick

I like the camphor-accented ripe productions.  There are scads of them out there that advertise themselves as having camphor fragrance, but to be honest, they are few and far between.  This one has an unmistakable camphor vibe.  It has also been light humid stored.  It is not wet or dank, just well done.  As you can tell from the picture, it possesses remarkable clarity and is all around gorgeous.  The qi presence is strong.  This brick ranks highly based on numerous criteria.  Sold out.

#4   ’06 Banzhang Thick Brick

The longest huigan EVER!

Banzhang Thick Brick (kilo) seems to have been wet-stored for a short duration before getting the ole Kunming dry-stored treatment. It is an incredibly complex ripe puerh, possessing tastes of camphor, cinnamon, earth, and loads of sweetness. The huigan is quick and lasts and last, exuding the cooling of camphor and sweetness of oud.  Sold out.

#3  ’07 Boss Square Puerh

That tight embossed kinda brick

The ’07 Boss Square is an entirely dry-stored production.  It very much strikes me as what every dry-stored ripes only they could be: cocoa, malt, vanilla, a shade of tingle.  The aftertaste lingers with notes of cocoa.  There is a solidness to the Boss Square which is quite rare and usually only filled out with some touch of humidity.  Taste best with the quickest of infusions.

#2  ’06 Langhe Humid and Clean

’06 Langhe Tuo

Do you see how crystal clear that brew is?  The ’06 Humid and Clean is spectacularly delicious.  Balanced between humidity, camphor, sweetness and leather, it provides a special experience.  In terms of clarity, color, aroma and taste, the ’06 Humid and Clean is no joke.  There is no overrating the quality of this tuo and the craft applied to the humid storage, which is somewhat similar to somewhat similar to the Xiaguan Nanzhao raw but excelling compared to it in terms clarity of taste and overall balance.

   #1  ’12 Operation Macau

The ’12 Operation Macau is a special order Xinghai Tea Factory production.  With a taste of petrichor and the umame of light pea soup, this humid-stored treasure is among the best that ripe puerh has to offer.

Why?

Well, first of all the aroma wet and dry varies little, and that aroma is quite pleasing.  Second, its color is clear and true.  Third, the clarity of the aroma and color carry over into the taste.  Humid productions can often be overbearing or dank, moldy tasting.  Executing humidity, which seems to strongly favour ripes, well is easier said than done, but here its been done fabulously well.

Fourth, the qi with Operation Macau produces an obvious warming sensation in the chest.  You might break a sweat at the nape of the neck, small of the back, or forehead.  To get there, you needn’t over brew to avail yourself of its powerful effects.  Finally, brewed gong-fu style this production has staying power that evolves, revealing nice mouth cooling effect later on.

It is quite obviously made from excellent base material.

 

Conclusion

It just occurred to me that four of the five best have been humid-stored.  None of them have been “wet-stored.”  The latter is much more dank, where the microbial taste is the predominant note.  At the same time, proper humidity adds a depth that makes a big difference in terms of the enjoyability of a ripe.

Another observation about the Five Best Ripes is that three of the five have obvious camphor notes.  Pronounced camphor flair ripes aren’t too common.  Some of it might have to do with age, but aged ripes in no way guarantees a real camphor effect by a long shot.  Interestingly, a production of old tea nuggets started out minty but on the last visit was not detectable.  Perhaps some tampering.

For me the clarity of a ripe is a vital reflection of the craft and quality of the production.  I do not drink puerh as a substitute for coffee.  I’d prefer less to pour ripe brew into a chai-hai than I would some raws, because there’s a certain charm in all that redness, something that cannot be appreciated with a cloudy brew.

Finally, four of the five are major puerh tea factories.  King among them is #5 CNNP/Kunming TF.  Their 7581 is a classic production, which is somewhat similar to the #3 Boss Square, known for some productions of their own and the Boss Square being one.  All the above factories also make raws.  Langhe, the maker of #2 Humid and Clean, definitely has a reputation for producing excellent ripes which are usually very masterfully crafted.

 

 

07 LME Spring Puerh

The remarkable thing about the LME Spring is its lingering floral huigan.  The liquor goes down smooth, with shades of wheat.  Some traits characteristic of root beer are now also starting to express themselves.  This brew will not bowl you over.  It is extremely subtle, many would say it just tastes like water.  It took me a while to figure it out, but so intriguing it was that I kept drinking to uncover its mystery.

Some time ago, it had been my erroneous impression that it was bitterness that gave rise to a production’s floral character.  If anything, the LME Spring proves that thesis entirely incorrect.  There is no hint of bitterness in this super hard-pressed cake.  It is so dense and of such exquisite material that it impossible to over brew.  It is perfect for those who tend to brew with such a heavy hand that the finer subtleties of soft productions are lost.  It simply does not brew up bitter.

The LME Spring is simply not for those who favour aggressive puerhs.  However, if you appreciate secrets well kept and an evanescent liquor from which a divine aftertaste emerges, then I cannot think of a better treasure.

’05 Jingmai “003”, LCGC

Everyone seems to love spring tea, aside from the classic recipes.  The “003” is spring tea on another level, evocative of white tea but still with the bite that Westerners, that is west of the Kunlun Mts, crave.

Spring tea typically does not yield as many infusions as productions from later in the year.  The “003” is no exception.  That said, it provides high and refined notes that are unmistakably refined.  LCGC likes offering productions that will smack you around a bit.  This treasure gives you an idea of what the Chinese “tea head” values in higher-end productions.

Chock full o’ buds, you can tell from the picture that this has already undergone a great deal of transformation.  I’ve noticed that many aged spring productions express kinda wild weed type notes similar to dandelion.  For some this might take a minute to get used to.  This is not the profile of the “003”, which is much more similar to silver needle white tea.

 

’07 Beijing Olympics, Zhongcha 357g cake

After two days of concerted digging, our excavation team reached the stratum of 2007. A veritable forest of Zhongcha productions could be found, many commemoratives too boot.  Beneath a well preserved Year of the Pig, I uncovered a tattered Beijing Olympics.  It’s a chopped cake that has been dry-stored.  Quite unsightly, especially on the reverse side.

I threw 6g into a small yixing: wax, straw.  Sour stage?  No fragrance.  Orange juice.  Astringent.  Wax paper.  Tastes like what I imagine some of their younger Yiwu productions might age into.  There is no punch to this production and strikes me as lifeless.

Days two and three it is significantly tastier.  Same leaves.  The aged layers have melted away to reveal a little peach, with the fuzzy, mild astringency, remarkable qi emanating from the Iron Man point at the center of the chest.

Longhorn orange, opaque, pours up sudsy, with a liquor evocative of dishwater.  Very deceptive, for every bit as subtle its flavour, every bit as intense is its qi.

Two days later, I switch to a gaiwan, again using 6g.  Aroma is much more inviting, sweet mellow fruit and dry sweet straw.  The taste is evocative of the Korean yellow melon, with a distinctive sour finish, consistent with earlier in the week.  No bitterness.  The huigan is more pronounced and very pleasant.  Five infusions of varying degrees, higher temp is perhaps better.  Liquor is much clearer.  The next two days of about five infusions each are more of the same, with a light essence of bubble gum.  Remains consistently sweet, never bottoming out into bitterness.  The sour seems to disappear after about 7 infusions in.  Lasts and lasts.